General
– Decision making
– Independent work and teamwork
– Generation of new research ideas
– Promotion of free, creative and inductive thinking
– Adapting to new situations
– Exercising criticism and self-criticism
– Promoting free, creative and deductive thinking
Course content
The student using customized video projections,
using the technique of projection mapping and the use of special software, will attempt the plastic redesign of volume and space. The course is developed around the design and construction of a plastic proposal with volumes and surfaces, for the creation of an audiovisual installation in an interior or public space with reference:
– The particular importance of the duration-time of the projection in terms of the final audiovisual effect on the surface of the volumes.
– The importance of sound in the virtual transformation of the space and the volumes of which it is composed.
– On the art and power of symbols as a language.
The course is supported by a series of lectures structured in modules on the thematic axis: volume-space-sound-image.
– of the real with the digital world
– History of projection mapping applications in architecture
projection mapping in architecture and visual discourse.
– Interactive applications in art and architectural projection mapping
– Historical review of projection mapping applications in the performing arts [dance and theatre]
– Projection mapping as a backdrop,
– The projection mapping in animation
– Technical projection issues, Lighting Intensity, Projection Adjustment, Flatness and Surface tonality and color variations, Position and rotation calculation, Predicting object movement, Adjusting to projection surfaces in relief.
– Introduction to computer programs for projection mapping
– Audio and animation editing features
– Processing programming language
Programme aims
The course aims to introduce new media in the course of plastics.
Learning Outcomes: Knowledge and Understanding
– Will have received an introductory knowledge of design in digital environments, which may broaden new fields of research.
– They will have obtained scientific and technological knowledge to develop proposals in specialization courses.
– They will be able to respond directly to morphoplastic space issues with innovative and original ideas .
– They will strengthen their team spirit of cooperation and creative abilities.
– They will be able to handle the appropriate digital media and tools for the implementation of plastic surgery in the field.
– They will have acquired method, critical thinking and perception as to the multiple options available to solve a problem.
Bibliography
– D. D. Sellnow, Confident public speaking, 2nd ed. Belmont, CA: Thomson/Wadsworth, 2005.
– C. Reas and B. Fry, Getting started with processing. 2015.
– Christie Digital Systems, The book of transformations: international projection mapping inspirations featuring Christie technology. Christie Digital Systems, 2013.
– ‘Light Wall in Seoul Museum of Art -1’, YouTube, 2009. [Online]. Available from: https://www.youtube.com/watch?v=_uTXIids3xI. [Access date: 08-June-2016].
– S. Chon, H. Lee, and J. Yoon, ‘3D Architectural Projection, Light Wall’, Leonardo, vol. 44, no. 2, pp. 172- 173, April 2011.
– ‘Mapping – Palazzo Pretorio – Luminara 2012 – Pisa’, Vimeo, 2012 [Online]. Available from: https://vimeo.com/59903720. [Access date: 08-June-2016].
– R. Catanese, ‘3D Architectural Videomapping’, ISPRS – International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences, vol. XL-5/W2, pp. 165-169, July 2013.
– ‘YEKPARE’, Vimeo, 2010. [Online]. Available from: https://vimeo.com/12584289. [Access date: 08-June-2016].
– B. Ekim, ‘A video projection mapping conceptual design and application: Yekpare’, The Turkish Online Journal of Design, Art and Communication, vol. 1, no. 1, July 2011 [Online]. Available at: http://www.tojdac.org/tojdac/VOLUME1-ISSUE1_files/v01i102.pdf. [Access date: 15- March-2016].
– A. Head, ‘Exploring the issues of digital outdoor architectural projections’, in Electronic Visualisation and the Arts, S. Dunn, J. Bowen, and K. Ng, eds. London, 2012, pp. 78-85 [Online]. Available at: http://ewic.bcs.org/upload/pdf/ewic_ev12_s3paper4.pdf
– D. Kim, ‘Projection Mapping Contents Development of Architectural Heritage’, 2015, pp. 90-95 [Online]. Available at: http://onlinepresent.org/proceedings/vol113_2015/19.pdf. [Access date: 26-April-2016]
– S. L. Vilaseca, ‘The projection on the wall: what audio-visual architectural mapping says about Catalan identity’, Journal of Urban Cultural Studies, vol. 1, no. 2, pp. 215-234, June 2014.
– M. Khosravi and Y. P. Lim, ‘Projection Mapping for Tourism in the City of Esfahan’, 2013, pp. 335-339 [Online]. Available at: http://ieeexplore.ieee.org/lpdocs/epic03/wrapper.htm?arnumber=6702835. [Access date: 15-March-2016]
– A. F. gen Schieck, ‘Towards an integrated architectural media space’, First Monday, vol. 0, no. 4, February 2006 [Online]. Available: http://firstmonday.org/ojs/index.php/fm/article/view/1550. [Access date: 08-June-2016]
– D. Krautsack, ‘3D Projection Mapping and its Impact on Media & Architecture in Contemporary and Future Urban Spaces’, Media-N, vol. 7, no. 1, 2011 [Online]. Available from: http://median.newmediacaucus.org/summer-2011-v-07-n-01-under-fire-3d-animation-pedagogy-3dprojection-mapping-and-its-impact-on-media-architecture-in-contemporary-and-future-urban-spaces/. [Access date: 15-March-2016]
Secondary Bibliography
– L. Treyer, S. M. Arisona, and G. Schmitt, ‘Architectural Projections: changing the perception of architecture with light’, Live Visuals, vol. 19, no. 3, 05-July-2013 [Online]. Available at: http://www.leoalmanac.org/wp-content/uploads/2013/11/LEAVol19No3-TreyerArisonaSchmitt.pdf
– A. Susik, ‘The screen politics of architectural light projection’, Public, vol. 23, no. 45, pp. 106-119, June 2012.
– J. Ng, ‘Surface, Display, Life: Re-thinking the Screen from Projection to Video Mapping’, Archives of Design Research, February 2014 [Online]. Available at: http://aodr.org/_common/do.php? a=full&b=12&bidx=140&aidx=1490. [Access date: 15-March-2016].
– S. Gehring and A. Wiethoff, ‘Interaction with Media Façades’, Informatik-Spektrum, vol. 37, no. 5, pp. 474-482, October 2014.
– J. Moloney, “Between Art and Architecture: The Interactive Skin,” Tenth International Conference on Information Visualisation (IV’06), London, UK, 2006, pp. 681-686, doi: 10.1109/IV.2006.28. At: http://ieeexplore.ieee.org/lpdocs/epic03/wrapper.htm?arnumber=1648333.
– Auzani Zeda Bt and Mohamed Kassim, ‘Illuminates : Abstract animation through projection mapping’. Universiti Sains Malaysia (USM), 2013 [Online]. Available at: http://ir.unimas.my/6582/
– P. T. Turner, ‘Content and Meaning in Abstract Animation’, presented at Siggraph, San Diego, 60 2003 [Online]. Available at: http://www.people.vcu.edu/~ptturner/sources/Turner%20Course %20Notes-Color1.pdf
– A. Aabern, M. E. Gundelach, K. Y. H. Hansen, S. H. Hoffmann, A. B. Olsson, H. B. Sørensen, and T. Tranto, ‘Animated 3D Video Projection onto a Complex Surface’, Aalborg University, 17-Dec-2010 [Online]. Available at: http://vbn.aau.dk/files/42507804/MED5_Group505_2010_Paper.pdf
– D. Rossi, “Smart architectural models: Spatial projection-based augmented mock-up,” 2013 Digital Heritage International Congress (DigitalHeritage), Marseille, France, 2013, pp. 677-684, doi: 10.1109/DigitalHeritage.2013.6744835. Available at: http://ieeexplore.ieee.org/lpdocs/epic03/wrapper.htm?arnumber=6744835.
– D. Rossi, E. Petrucci, and S. Fazzini, ‘A framework to increase the video-mapping accuracy of an architectural heritage mock-up’, 2014, pp 1-4 [Online]. Available at: https://doi.org/10.1145/2617841.2617844
– Davy McGuire and Kristin McGuire, ‘The Icebook (HD)’, Vimeo. [Online]. Available: https://vimeo.com/19348564.